***** Guitar Project Jigs, Tools & Techniques Online Resources Archives OLF Video Page Library of plans MP3 Library Inlay Class
Offical Luthiers Forum





And our community proudly sponsored by:

RC Tonewoods | Stewart MacDonald | LuthiersForum
TasmanianTonewoods | OLF | OLF MERCH
Luthier Suppliers | Pacific Coast Woods | ELEVATE
OLF X | Tasmanian Acoustic Tonewood | Luthiers Forum Store!
Luthiers Forum | OLF Facebook | AVAIL SPACE
OLF | Alaska Specialty Woods | A.Hix Tonewood
Duke of Pearl | Birkonium CNC | Space




Official Luthiers Forum!

Owned and operated by Lance Kragenbrink
It is currently Fri Nov 29, 2024 12:41 pm


Board index » Luthiers Forum Rooms » Guitar Building Forum

All times are UTC - 5 hours


Forum rules


Be nice, no cussin and enjoy!




Post new topic Reply to topic  Page 1 of 1
  [ 10 posts ] 
  Print view Previous topic | Next topic 
Author Message
martintaylor
 Post subject: Flamenco Blanca build
PostPosted: Wed Jan 15, 2020 6:47 am 
Offline
Contributing Member
Contributing Member
User avatar

Joined: Tue Mar 05, 2013 7:30 am
Posts: 202
Location: Central Coast, NSW
First name: Martin
Last Name: Taylor
City: Central Coast
State: NSW
Country: Australia
Focus: Build
Status: Amateur
Hi all, here are a few pics of my Flamenco Blanca build. Back and sides, Macrocarpa (Monterey Cypress), top, Engelmann Spruce, Neck, Australian Red Cedar, Rosewood bindings, Planetary pegs, 5 fan brace with closing braces, tantalones in King William Pine for top linings and macrocarpa solid strip for back linings.

Image

Image

Image

Image

Image

Image

Image

Image

Image

Image

Image

Image

Image

Image

Image

_________________
Martin Taylor
http://martintaylorguitars.com.au


These users thanked the author martintaylor for the post: Michaeldc (Wed Jan 15, 2020 8:21 am)
Top
 Profile  
 
jfmckenna
PostPosted: Wed Jan 15, 2020 8:44 am 
Offline
Brazilian Rosewood
Brazilian Rosewood

Joined: Tue May 13, 2008 10:44 am
Posts: 6256
Location: Virginia
That's a beauty right there, nice job!
Top
 Profile  
 
johnparchem
PostPosted: Wed Jan 15, 2020 8:49 am 
Offline
Contributing Member
Contributing Member
User avatar

Joined: Mon Aug 23, 2010 11:42 pm
Posts: 1703
First name: John
Last Name: Parchem
City: Seattle
State: Wa
Zip/Postal Code: 98177
Country: USA
Focus: Build
Status: Amateur
Nice looking Flamenco! I have one that I am building on the bench right now.

_________________
http://www.Harvestmoonguitars.com
Top
 Profile  
 
alan stassforth
PostPosted: Wed Jan 15, 2020 9:49 am 
Offline
Brazilian Rosewood
Brazilian Rosewood
User avatar

Joined: Sat May 22, 2010 10:32 am
Posts: 2616
First name: alan
Last Name: stassforth
City: Santa Rosa
State: ca
Zip/Postal Code: 95404
Country: usa
Focus: Build
Status: Amateur
Really nice. Did you make the binding/rosette?
Me likey. I had a question, why do classic guitars have the tantelones,
instead of kerfed linings?
Is it tradition, or is there another reason?
Just curious.
Alan
Top
 Profile  
 
Ernie Kleinman
PostPosted: Wed Jan 15, 2020 10:29 am 
Offline
Koa
Koa

Joined: Sun Oct 28, 2018 3:40 pm
Posts: 500
First name: Ernest
Last Name: Kleinman
City: Guthrie
State: OK
Zip/Postal Code: 73044
Country: United States
Focus: Build
Status: Professional
Very creative !!. Also have one in the mold birds eye willow back and sides. Englemann top
Top
 Profile  
 
jshelton
PostPosted: Wed Jan 15, 2020 11:18 am 
Offline
Cocobolo
Cocobolo

Joined: Mon Mar 17, 2014 1:27 pm
Posts: 380
First name: john
Last Name: shelton
City: Alsea
State: Oregon
Zip/Postal Code: 97324
Country: usa
Focus: Build
Status: Professional
alan stassforth wrote:
. I had a question, why do classic guitars have the tantelones,
instead of kerfed linings?

Alan

If you're using a solera to put a dome in the top, using tentellones allows you to let the top float on the sides (very little pressure is applied during gluing). If there are gaps between the sides and top the tentellones bridge them. Ideally tentellones should have a slight angle (we use 2 degrees) where they contact the top to conform to the dome created by the solera.


These users thanked the author jshelton for the post: Pmaj7 (Wed Jan 15, 2020 2:55 pm)
Top
 Profile  
 
Pmaj7
PostPosted: Wed Jan 15, 2020 2:56 pm 
Offline
Contributing Member
Contributing Member
User avatar

Joined: Sat Jan 31, 2009 8:50 pm
Posts: 2257
Location: Seattle WA
Focus: Build
Status: Semi-pro
Beautiful! I see a flamenco in my queue.

Pat

_________________
Pat
Top
 Profile  
 
martintaylor
PostPosted: Wed Jan 15, 2020 4:51 pm 
Offline
Contributing Member
Contributing Member
User avatar

Joined: Tue Mar 05, 2013 7:30 am
Posts: 202
Location: Central Coast, NSW
First name: Martin
Last Name: Taylor
City: Central Coast
State: NSW
Country: Australia
Focus: Build
Status: Amateur
alan stassforth wrote:
Really nice. Did you make the binding/rosette?
Me likey. I had a question, why do classic guitars have the tantelones,
instead of kerfed linings?
Is it tradition, or is there another reason?
Just curious.
Alan


Hi Alan,
Thanks. the main reason I use tantelones on the top for a flamenco is based on the sound I am trying to achieve. The old adage that a guitar must be better because it has lots of sustain (which isn't necessarily true anyway) is the opposite when designing and building a flamenco. The style of playing a flamenco demands very quick, crisp notes and you want to do everything to reduce sustain. Reduced weight is also a target as the lighter the guitar is, the quicker the sound (generally). So, this build comes in at 1091g (2.4 lbs) which is under my target maximum weight of 1.2 - 1.3 kg.

_________________
Martin Taylor
http://martintaylorguitars.com.au
Top
 Profile  
 
martintaylor
PostPosted: Wed Jan 15, 2020 5:05 pm 
Offline
Contributing Member
Contributing Member
User avatar

Joined: Tue Mar 05, 2013 7:30 am
Posts: 202
Location: Central Coast, NSW
First name: Martin
Last Name: Taylor
City: Central Coast
State: NSW
Country: Australia
Focus: Build
Status: Amateur
alan stassforth wrote:
Did you make the binding/rosette?


oops, didn't answer this bit

I bought the straight strips and then cut them up into small sections to make the rosette. It was fiddly but a start to making one completely on my own (which will happen)

_________________
Martin Taylor
http://martintaylorguitars.com.au
Top
 Profile  
 
alan stassforth
PostPosted: Wed Jan 15, 2020 8:11 pm 
Offline
Brazilian Rosewood
Brazilian Rosewood
User avatar

Joined: Sat May 22, 2010 10:32 am
Posts: 2616
First name: alan
Last Name: stassforth
City: Santa Rosa
State: ca
Zip/Postal Code: 95404
Country: usa
Focus: Build
Status: Amateur
Thanks guys for the tantelone info.
Lighter/faster decay, very interesting.
I'm trying to build with less bass, and quicker decay, for recording purposes, so,
I'll put that one in my thought bucket.
Alan
Top
 Profile  
 
Display posts from previous:  Sort by  
Post new topic Reply to topic  Page 1 of 1
  [ 10 posts ] 

Board index » Luthiers Forum Rooms » Guitar Building Forum

All times are UTC - 5 hours


Who is online

Users browsing this forum: No registered users and 46 guests

You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot edit your posts in this forum
You cannot delete your posts in this forum
You cannot post attachments in this forum

Jump to:  
Powered by phpBB® Forum Software © phpBB Group
phpBB customization services by 2by2host.com