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 Post subject: Soft Maple Neck
PostPosted: Sun May 15, 2011 2:36 am 
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Cocobolo
Cocobolo

Joined: Thu May 12, 2011 3:27 pm
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First name: Alex
Last Name: Takacs
State: Illinois
Country: United States
Focus: Build
Status: Amateur
Before I ask my question I would just like to thank everybody here for dealing with my ignorance when it comes to luthierie. I have been making cigarbox guitars for about a year and I recently decided to make a neck-thru electric guitar. I have a beautiful piece of curly maple for the neck but after measuring and weighing it, I have discovered that it is soft maple (it is almost exactly one board foot and it weighs only 2.6 pounds). Before I was worried about having a sound that was too bright, but now Im worried about having any decent tone at all. Will this soft maple work for a neck thru? what can I expect? -Alex


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 Post subject: Re: Soft Maple Neck
PostPosted: Sun May 15, 2011 9:58 am 
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Cocobolo
Cocobolo

Joined: Thu May 12, 2011 3:27 pm
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First name: Alex
Last Name: Takacs
State: Illinois
Country: United States
Focus: Build
Status: Amateur
Let me add a little more detail. A cubic foot of this wood would be 31.2 pounds while a cubic foot of rock maple would be roughly 44 pounds. I do plan on reinforcing the neck with two of the carbon fiber rods from stewmak in addition to a standard truss rod. My only real concern is tone and sustain. Any advice would be greatly appreciated! Thanks in advance -Alex


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 Post subject: Re: Soft Maple Neck
PostPosted: Sun May 15, 2011 4:33 pm 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Fri Apr 02, 2010 10:35 pm
Posts: 2561
Country: USA
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Status: Professional
One of my best sounding basses was made with softmaple for the neck. I don't think it matters that much.

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Old growth, shmold growth!


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 Post subject: Re: Soft Maple Neck
PostPosted: Fri May 20, 2011 2:40 am 
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Cocobolo
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Joined: Wed Jan 30, 2008 2:03 am
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Location: USA
First name: Brett
Last Name: Faust
City: Puyallup
State: WA
Zip/Postal Code: 98373
Country: USA
Focus: Build
Status: Professional
Curly big leaf tends to move quite a bit more than curly rock maple and is not nearly as stiff. The carbon rods will do nothing to keep things true if the wood wants to twist, however they will help keep dead spots to a minimum.

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 Post subject: Re: Soft Maple Neck
PostPosted: Sun May 29, 2011 7:34 am 
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Cocobolo
Cocobolo

Joined: Thu May 12, 2011 3:27 pm
Posts: 213
First name: Alex
Last Name: Takacs
State: Illinois
Country: United States
Focus: Build
Status: Amateur
Is there anything that I can do to prevent the neck from twisting, and what is a "dead spot"?


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 Post subject: Re: Soft Maple Neck
PostPosted: Sun May 29, 2011 8:27 am 
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Contributing Member
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Joined: Sun Mar 06, 2011 12:04 am
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First name: Chris
Last Name: Pile
City: Wichita
State: Kansas
Country: Good old US of A
Focus: Repair
Status: Professional
Well, adding carbon fiber is a good way to keep things stable - twisting, warping, etc., would be kept to a minimum by doing so.

A dead spot is an area on the neck that doesn't ring out as loudly as other areas of the neck. The volume and tone should basically be similar up and down the neck. Again, adding carbon fiber helps reduce any tendency towards dead spots.

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 Post subject: Re: Soft Maple Neck
PostPosted: Sun May 29, 2011 5:05 pm 
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Cocobolo
Cocobolo

Joined: Wed Jan 30, 2008 2:03 am
Posts: 198
Location: USA
First name: Brett
Last Name: Faust
City: Puyallup
State: WA
Zip/Postal Code: 98373
Country: USA
Focus: Build
Status: Professional
A dead spot is a null point on the fretboard where the vibrations in the wood tend to cancel other vibrations out. In most cases it is probably caused by phase cancellation ,but poor fretwork can mimic the effect sometimes.

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 Post subject: Re: Soft Maple Neck
PostPosted: Sun May 29, 2011 6:15 pm 
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Brazilian Rosewood
Brazilian Rosewood

Joined: Fri Apr 02, 2010 10:35 pm
Posts: 2561
Country: USA
Focus: Repair
Status: Professional
A dead spot is a note on the fretboard where the body overly resonates sympathetically with the frequency in the string, dissipating the string energy and causing the note to die prematurely, or not ring out as strong. Often times I find that 34 inch scale basses have a dead spot somewhere between frets 5 through ten on the g string.

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Old growth, shmold growth!


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