Darrell,
Lots of ways to do this. I've never overlapped the bridge plate with the braces, although I believe others have. I just lay out my braces so that they begin approximately where the edge of the bridge terminates. Even this is not a hard and fast rule, I tweaked the position on every one I made. Subtle differences in each one, but hard to attribute to the placement of the fans. Too many variables. A lot of it depends on your bridge design and how much mass your bridge has. Kasha's design relies on the rocking motion of the bridge over the lower transverse brace to drive the top and the placement of the fans in relation to the bridge does affect the tonal qualities of the guitar. I've built some with a modified version of Steve Klein's bridge design and some with a more symmetrical bridge as in the attached photos. Both designs produce really nice guitars. Aesthetically, I prefer the symmetrical, but both are nice.
Here are a few pics, one of the bracing pattern, and a couple of the finished guitar to show the bridge design I was using.
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